Featuring the work of photographer Paul Barbera, this book documents creativity in 32 Japanese studios. Photographer Paul Barbera presents his next volume in the Where They Create series – this time with a different approach, by exploring the theme of his series through geographical locales. Reinvigorated by his first visit to Japan in five years, he makes this country the star...(展开全部)

Europe's image of Japanese culture remains dominated by cliches such as the cherry blossom, temples, samurai, geisha and Zen. Fascinated and irritated by these cliches, photographer Andri Pol attempts to overturn them, both by confronting them and by looking elsewhere, setting his lens upon the everyday sights of Japanese life.

A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the moviessince 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storybo...(展开全部)

规格：240mm*160mm 内容主要是对优秀的设计师进行采访，包括:Stefan Sagmeister(施德明)、Niklaus Troxler、Catherine Griffiths和Henry Steiner这些设计师在对世界上24个国家100个小型工作室研究之旅启程以前，都在小型工作室或大公司工作。在学习了这些小型工作室的理念、工作方式和日常规范后，人们提出了一个核心问题：小型工作室能否生存于现代平面设计的世界？ 此书是写给那些为小精品店设计工作室感兴趣的人以及追求拥有一间属于自己的工作室的年轻的设计师们，怎样才有可能呢？小型工作室是否有将来？小型工作室与大型公司有什么区别呢？通过在具有特色的小型工作室的工作经验，年轻有为的设计师们同样能在设计工作中发现自己的价值。

摄影师张晓说：这是个并不真实的世界，我喜欢他们。他们在某个时刻的状态已经超越了现实的自己，像是在梦游。我拍照片时很少和他们对话，只是眼神的交流，更多的时候是迅速按下快门，快门声伴随着刺眼的闪光灯直射过去，他们这才如梦初醒地诧异地看着我，等他们回过神来，我已经匆匆离开。因为他们的眼神很多是我所不敢面对的。我像是在逃避，正如逃避镜子中的我自己。

One of the most powerful and popular tools used in combinatorics is the probabilistic method. Describes current algorithmic techniques, applying both the classical method and the modern tools it uses. Along with a detailed description of the techniques used in probabilistic arguments, it includes basic methods which utilize expectation and variance plus recent applications of m...(展开全部)

Bringing together ground-breaking essays from across the disciplinary spectrum, Creative Industries chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterp...(展开全部)

安德鲁·路米斯，美国著名插画家、作家、美术教育家。他曾就读于美国艺术学生联盟。19岁时师从乔治·伯里曼学习绘画，随后发展并延伸了乔治.伯里曼的素描绘画体系，以独特的视角撰写了多本简单易懂的经典绘画教程，对当代素描教育产生了巨大影响。路米斯认为：好素描必须具有说服力和感染力。因此他从绘画原理方面训练读者，使之创造出“真实的”艺术作品。各绘画技法环节，他都主张作品应尽可能源于观察、实景写生和模特动态。正是由于其独特、着实有效的艺术理念，在他去世后很长一段时间，其绘画风格仍继续影响着一大批艺术家。

This collection brings together some of psychoanalyst D.W. Winnicott's most important work contributing to our understanding of the minds of children. The essays range in topic from 'The Concept of a Healthy Individual' and 'The Value of Depression' to 'Delinquancy as a sign of Hope'. All reveal Winnicott's vision of the ways in which the developing self interacts with the fami...(展开全部)